History  |   Education  |   Press  |   Foundation  |   Multimedia  |   Careers  |   Filming & Event Services  |   Contact Us
  Spotlight Awards - Chase Morrin Interview
SPOTLIGHT AWARDS
Welcome To Spotlight
Scholarships
Category Guidelines
Apply Now!
I Applied, Now What?
Judges' Tips
Judges
Master Class Teachers
Grand Prize Finalists
Alumni
Calendar
For Parents & Educators
Who or what influenced you to start playing the piano and how old were you when you first began?
I started playing piano when I was nine largely because my parents bought me a small toy keyboard for Christmas, meant to keep me busy. They were way too successful. I fell in love with black and white keys and eventually begged them for lessons.

Who is your favorite musician and why?
I love Clare Fisher because of his amazing harmonic vocabulary. He truly is innovating and rather unknown for such a monster composer and player.

Where would you like to perform someday if given the opportunity?
I would love to play at the Blue Note. I feel like that jazz club has an authentic vibe full of history and culture.

Why did you want to participate in Spotlight?
I am constantly trying to display my music to the world. Spotlight was an opportunity to do this for some extremely knowledgeable judges who could critique my work, hopefully making me stronger as player and composer.

Do you have a mentor or mentors? If so, how long have you worked with them and how have they helped you in your career?
I have worked with Kenny Ard for 4 years. He is a local classical teacher who in my earlier years taught me the wonders of Beethoven, Debussy, and rudimentary jazz. I currently study jazz with Rick Helzer and have worked with him for a year. I also have learned orchestration techniques from Anthony Davis and jazz performance from Geoffrey Keezer.

What was your experience like participating in Spotlight from auditions to master classes?
Spotlight was a fun and wonderful experience. I had the opportunity to visit Los Angeles in its finest and to meet friends who I don't normally meet. The master class was fantastic, full of insight from John Beasley where I learned new tricks for practicing and melding styles. I love the openness and kindness shown by all of the spotlight members. This environment is more kind and influential to music and especially jazz which rides on the vibes and energy of an audience.

What advice would you give to a student who felt they might not be ready to do Spotlight?
Students should try their best to compete. Competition will not stop at Spotlight, it continues throughout life. Spotlight is a really great way to ease into the roughness of life without being fully impacted. Plus, it is all worth it for the comments which can truly lead you in the right direction as a musician.

Contact Information
 
The Spotlight Awards
135 North Grand Avenue
Los Angeles, CA 90012
spotlight@musiccenter.org

Follow us:
twitterTwitter
facebookFacebook